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himself and his daughter, he exiles Medea. Creon

expounds, Medea, I order you along with your two

children, and not to waste time doing it. As for Abbie, she

is not exiled but she is sentenced to jail for the murder of

her son.

When a tragic figure recognizes his or her wrong

doings they assert personal triumph. Not all tragic figures

claim this victory, Medea and Hippolytus are perfect

examples. Hippolytus never realized that it was his anger

that sent Phaedra over the edge. As for Medea, she

murders a great number of people including her

immaculate sons. Medea ruminated about desecrating

Jason so much, she really didn t have a conscious. On the

opposition, Oedipus and Abbie are true tragic figures.

They both realize what they have done wrong and is

willing to face the consequences. Abbie realizes she has

committed the worst crime and sin; she asks for

forgiveness and accepts her punishment. I ve got t take

my punishment-t pay fur my sin… she proclaims before

getting in the sheriff s car. Oedipus, like Abbie, also

realizes his crime and utters, But the hand that struck me

was none but my own. Oedipus says this because he

notices that it was his own doings that brought him this

pain and disharmony.

All of the tragic figures ventilated had similarities and

yet diverged in countless ways. Each character possesses a

strength, but the strength is used in different ways; each has

a flaw, and each flaw and fall deviates; and two out of the

four recognize their wrong, which lets them claim victory

that is not same. Tragic figures can be very complex yet

simplistic once studied. In today s society the actions of

Medea, Hippolytus, Oedipus, and Abbie would be justified

by a psychiatrist as a lack of attention or love.

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