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without Sting even knowing it had vanished, but the second part of the year found him turning to writing for his fifth solo album, Mercury Falling. Released in March 1996, the album showed an increasing tendency for Sting to risk commercial success by writing to please himself and his band. Foregoing standard pop and rock fare, he was now writing country tunes such as I’m So Happy I Can’t Stop Crying, bossa nova such as La Belle Dame Sans Regrets, gospel tinged material such as Let Your Soul Be Your Pilot and songs in devilishly difficult time signatures (I Hung My Head). It was clever, and much of it was good, but it was an even bigger rag-bag of styles than Ten Summoner’s Tales. Some fans weren’t sure if they liked it.

Sting was also becoming more noticeably involved in contributing songs to movie soundtracks - there was always a demand for Police songs, but in 1993 he had been approached to write the theme song for "Lethal Weapon 3", and duly complied with It’s Probably Me. A reworking of The Police’s Demolition Man followed for the film of the same name, as did the recording of several jazz standards for the "Leaving Las Vegas" and "Sabrina" soundtracks. Mercury Falling continued this trend with Valparaiso, which was used in the movie "White Squall". Puff Daddy’s reworking of Every Breath You Take (in the shape of I’ll Be Missing You) brought Sting’s earlier work to the notice of a new generation, and to the fury of many Police fans he and Pras from the Fugee’s reworked Roxanne in 1997. Further soundtrack contributions to "The Mighty" and the remake of "The Thomas Crown Affair" followed, as did a cameo role in the British hit movie "Lock, Stock and Two Smoking Barrels".

The much anticipated Brand New Day album was released in autumn 1999 to a mixed reception amongst critics. This is a shame because Brand New Day was a tour-de-force. If Mercury Falling mixed genres, Brand New Day took it a step further - the title track was full of optimism and starting over, a true millennium message. The remarkable, arabesque Desert Rose featured the prince of rai music, Cheb Mami, Fill Her Up crossed country with gospel, Perfect Love…Gone Wrong included French rap, and Big Lie Small World was gentle bossa nova. The difference over Mercury Falling was that the songs were stronger and the music more confident. This was one of Sting’s finest albums.

And what of 2001? The Brand New Day world tour continues throught the summer, as the release continues to Sting's most successful solo album. The inevitable Police-to-reform rumours will no doubt continue to surface periodically, but having survived the last seventeen years and successfully rebuilding their friendships, Sting’s intention of "keeping that legend intact" looks to be pretty secure. Let’s hope so.


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